Rating
-
Cast & Crew
info:
Brittany Daniel
Jenny
Kevin Heffernan
Lars
Jay Chandrasekhar
Putman
Bill Paxton
Coconut Pete
Paul Soter
Dave
Erik Stolhanske
Sam
Steve Lemme
Juan
Produced by Conrad
Hool, Lance Hool, Peter E. Lengyel and Richard Perello;
Directed by Jay Chandrasekhar; Written by
Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter
and Erik Stolhanske
Horror/Comedy (US);
2004; Rated R for violence/gore, sexual content, language
and drug use; Running Time: 103 Minutes
Official
Site
Domestic Release Date:
February 27, 2004)
Review Uploaded
2/27/04
|
Written
by DAVID KEYES
It must
be more than just a sign of coincidence that the brains
behind "Club Dread" collectively refer to themselves
as "Broken Lizard." Could that be because their
movies tend to slither around like ambitious reptiles trying
too hard to ignore crippling injuries? Quite possibly. Sitting
through their latest endeavor, I was instantly reminded
of their previous trek into movie territory, the ambitious
but labored "Super Troopers"; like that film,
this product has the kind of spark and energy so zealous
that one can't help but notice the filmmakers simply using
it as a mask to cover up obvious shortcomings. There is
no problem, of course, in abandoning cynicism with any film
that tries so hard to get past its problem areas, but not
when the problems themselves are too consistent to be ignored.
And as hard as Broken Lizard tries to pull the wool over
the eyes of their audience this time, it doesn't change
the fact that their picture is deprived of essential functions
that would have otherwise allowed it to be a passable feature.
These
"functions" I refer to are, naturally, the elements
of timing. Here the Broken Lizard congregation (consisting
of five of the film's lead male actors) have concocted a
hybrid caper of horror and comedy that is neither very horrific
or comedic in payoff; though their goals are seeped in the
intention of poking obvious fun at a genre that was strangely
commercialized in the never-ending "Friday the 13th"
saga, the lack of genuine laughs is too distracting to make
their enthusiasm at least passable. We certainly give them
points for trying, but perhaps they need to reassess their
synergy before taking another stab at such an approach.
The
five members of Broken Lizard are Jay Chandrasekhar (also
the director), Kevin Heffernan, Steve Lemme, Paul Soter
and Erik Stolhanske. In keeping the tradition of their previous
work, each of the men take a significant screen role in
the film itself, in these cases five staff members of a
resort getaway on the highly popular Paradise Island off
of Costa Rica (if there is even such an island to begin
with is a question better left answered by geography buffs).
The island is spearheaded by once-popular summer songster
Coconut Pete (Bill Paxton), a scruffy booze hound whose
only interests as of late involve getting lucky with several
of the attractive resort visitors. His staff members share
in that kind of goal (in these kinds of movies, it's almost
always essential for the main characters to lack major prospects),
but when several of their fellow employees turn up dead
and dismembered, the fear of a dangerous killer on the loose
takes center stage and they are forced to put pleasure on
the back burner. Conveniently, the movie also completely
cuts them off from the outside world, a twist that is just
as transparent in semi-spoofs of horror films as it is in
genuine horror pictures themselves.
The
assemblage of characters are colorfulthere's Dave
(Soter), the off-the-wall nephew of Coconut Pete who has
stories to tell about murderous legends walking around the
island jungles; Juan (Lemme), a diving teacher whose primary
motivation in everything he does involves sex; Putman (Chandrasekhar),
a tennis coach who always has a watchful eye on those who
tend to rub him the wrong way; Lars (Heffernan), a masseur
who knows how to induce any sensation by touching specific
parts of someone's body; and Jenny (Brittany Daniel), the
fitness instructor that enjoys Lars' company and refuses
to believe any one of her fellow staff members could possibly
be involved in all the recent mayhem on the island. Together,
the group occupies the screen like more amusing versions
of the "Jeepers Creepers" teens; their sense of
annoyance is infectious instead of irritating, and there
are moments when we really like some of them (the Juan character
has several isolated scenes that left me chuckling).
Alas,
where the movie ultimately fails is in the execution of
its comedy and horror elements. The picture is very bloody
(enough to deserve its partial classification as a horror
film), but there is no sense of urgency or tension in any
of the scenes to give them grip. A similar problem faces
the movie's comedy elements; though there are moments and
dialogue exchanges that warrant an occasional smirk, there
aren't very many jokes that leave us rolling in the aisles.
There is, naturally, an instinct to blame all this on the
fact that comedy and horror elements simply don't mix successfully
in movies, but there have actually been endeavors that have
worked in such a way before (exhibit A: the quirky and jarring
vampire farce "Innocent Blood"). Anyone could
make this material work if they put their minds to it, but
the members of Broken Lizard seem to have missed several
of the key ingredients along the way.
Still,
the picture isn't as mind-numbingly awful as most of the
recent comedies that have plagued movie screens (some of
us are probably still feeling repercussions from the experience
that is "EuroTrip"). Having said that, "Club
Dread" is watchable on some levels; it will certainly
not bore you or insult you intellectually, and the ensemble
has enough respectable pull to keep things moving in a certain
direction. When it comes to outright thrills, alas, there
have been better and more clever products done in this vein,
and searching for them would perhaps be the better solution
than having to pay money to see this film in a movie theater.
© 2004, David Keyes, Cinemaphile.org.
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