Rating
-
Cast & Crew
info:
Nia Vardalos
Fotoula 'Toula' Portokalos
John Corbett
Ian Miller
Michael Constantine
Gus Portokalos
Lainie Kazan
Maria Portokalos
Andrea Martin
Aunt Voula
Joey Fatone
Angelo
Produced by Paul Brooks,
David Coatsworth, Gary Goetzman, Tom Hanks, Mark Hufnail,
Jim Milio, Melissa Jo Peltier, Steve Shareshian, Norm Waitt
and Rita Wilson; Directed by Joel Zwick; Screenwritten
by Nia Vardalos
Comedy (US); Rated
PG for sensuality and language; Running Time - 94
Minutes
Official
Site
Domestic Release Date
April 19, 2002
Review Uploaded
12/27/02 |
Written
by DAVID KEYES
"My Big Fat Greek Wedding" is what you refer
to as one of the great "grinning comedies" of
our time, in which every scene and every character, no matter
how silly or odd, leaves the viewer smiling from ear-to-ear
in constant and utter delight. No doubt you've heard about
the film by now, anyway; drawing audiences into the theaters
week after week with few major attendance declines, the
vehicle survives at the box office even most high profile
releases fall by the wayside. It has even been said that
movie might be a Best Picture contender for next year's
Academy Awards. And if it is, what a great pleasure that
would be! How often, after all, can you recall a PG-rated
romance comedy that had enough exuberant charm and spirit
to actually deserve a crack at the top prize?
The movie is a Cinderella story for screenwriter Nia Vardalos,
an actress who, in the recent years, has found the task
of acquiring major starring roles in motion pictures increasingly
difficult. "No one is interested in Greek heroines,"
she indicated in one recent interview, a prospect that not
only fueled that pursuit even further, but reshaped the
approach as well. As a result, she devised a script to accommodate
her acting chops and based it around her own life, specifically
a point in time that required her to think past the wishes
of her parents and find happiness in the arms of anyone
who could offer it to her. The appeal of the message was
perhaps a lot greater than Vardalos herself realized in
the beginning, though, so just imagine her reaction when
she heard that her story had appealed to enough of the public
to push its financial gross past the $100 million mark,
a feat that is unheard of for even big studio romance comedies.
"My Big Fat Greek Wedding" is a family saga at
heart, guiding us from one segment to the next in order
to reveal a cheerful and dedicated group of relatives rather
than a large ensemble of grumps. Nia stars as the main player,
Fotoula Portokalos (Toula for short), a spinster who occupies
the first act of the movie like the stereotype of a Librarian,
her beauty conveniently hidden behind messy hair, big glasses
and the depressing blank stare. She's the hostess of a restaurant
owned by her Greek parents, the sassy Maria (Lainie Kazan)
who knows that her children shouldn't be forced into something
they don't want, and Gus (Michael Constantine), the old
thinker who seems to believe any flesh wound can be cured
with Windex. Toula, we gather, has been stuck in this pattern
for years, but one day when she bumps into a handsome college
professor named Ian (John Corbett), she decides that it's
time to pull down the facade and be herself. Needless to
say, her transformation attracts Ian almost instantly, but
will Toula's parents be very happy that their daughter is
winning the heart of someone who isn't Greek?
Although films of this flavor depend primarily on their
comic timing to win over an audience, director Joel Zwick
finds other outlets of brilliance more often in "My
Big Fat Greek Wedding" than we would normally assume.
Toula's opening narration, for instance, has a sly wit and
vivacity about it, as she describes the climate surrounding
her mob-sized family as if she lives with a bunch of circus
clowns. Nia's characterizations, meanwhile, contain a certain
sense of familiarity among all the quirkiness and energy,
as if her relatives are some bizarre marriage between hers
and ours. Given the focus of the subject to begin withwhich
is challenging tradition and family bias in regards to loveit
is also an amazing feat that the screenplay manages to maintain
a lighthearted and whimsy tone without resorting to melodrama
or contrivance in the end. In fact, the only points in the
movie that actually suggest that kind of direction are quickly
detoured, saving us the embarrassment of incorrectly assuming
the worst from the picture's central tone.
Without dissecting anything further from the movie itselfwhich
doesn't require any elaborate analysis to begin withI
will simply conclude this review with simple words of advice.
See "My Big Fat Greek Wedding" if you haven't
already done so. See it for the charm; see it for the heart;
see it for the comedy. No matter what your reasons, just
remember this: there is a genuine reason why viewers keep
coming back to this endeavor, and if there's some part of
you that can identify in the least with any part of this
sweet little story, maybe you'll find yourself going back
for more as well.
©
2002, David Keyes, Cinemaphile.org.
Please e-mail the author here
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