Rating
-
Cast & Crew
info:
Jake Gyllenhaal:
Jimmy Livingston
Swoosie Kurtz:
Mrs. Livingston
Marley Shelton:
Chloe
Danny Trejo:
Slim
John Carroll Lynch:
Mr. Livingston
Verne Troyer:
Dr. Phreak
Produced by Beau Flynn and Eric McLeod; Directed
by Blair Hayes; Screenwritten by Cinco Paul,
Ken Daurio and Michael Kalesniko
Comedy (US); Rated PG-13 for mild violence;
Running Time - 95 Minutes
Official
Site
Domestic Release Date
August 24, 2001
Review Uploaded
9/29/01 |
Written by DAVID KEYES
Comedy has taught
us that one man’s laugh is another man’s disgust, and that
thought needs no further explanation beyond the background
story surrounding “Bubble Boy,” a movie about a 16-year-old
teen with immune deficiency who seeks romance, but is unable
to live outside of a plastic bubble for fear of coming in
contact with germs which, ultimately, could lead to fatality.
Even before its release, the movie was challenged by the
mother of a now-deceased son that suffered from the same
illness, who feared that such an approach to comedy was
unsuitable and defamed the memory of her child. An understandable
response? Perhaps. However, having not seen the movie, Carol
Ann Demaret, the mother of the original “bubble boy,” has
jumped to a conclusion simply on the basis of her personal
experience, not to mention the fact that her uproar has
actually given the movie more publicity than it ever needed.
To ultimately
assume that “Bubble Boy” is an insult to Demaret’s son is
a bit of a stretch; it doesn’t poke fun at the situation
its star player is in. Unfortunately, that point of relief
doesn’t make any difference in this listless, mean-spirited
and utterly morbid little comedy, which is being defended
as a movie with a big heart when in fact the studio should
be more concerned about justifying its brain (or lack thereof).
The movie is the farthest thing from genuine sensibility
I have seen in a long time; not only does it lack the courage
to openly discuss the issues it raises, but it manages to
enforce some of the oldest negative stereotypes you could
ever imagine. Calling the picture an insult to the immune
deficiency syndrome is inappropriate; however, calling the
movie an act of pure idiocy is bordering generosity.
The bubble boy
of the movie is Jimmy Livingston (Jake Gyllenhall), a 16-year-old
good-natured guy whose crazy mother (Swoosie Kurtz) spends
all of her efforts ensuring her son’s safety—feeding him
nutritious snacks, thoroughly cleansing his room of germs,
and reading him bedtime stories that end on the same note:
the hero walking out into the world and dying because of
exposure to germs. Jimmy befriends the next-door neighbor
Chloe (Marley Shelton), a sweet and generous teenage girl
who sees past his restrictions and admires the person on
the inside of the bubble. They talk, they laugh, they enjoy
each other’s company... until Chloe realizes that their
relationship can’t go any further, panics, and runs off
with a awkward rock musician named Mark (Dave Sheridan),
whom she plans to marry in just a couple of days at Niagra
Falls. But Jimmy, reluctant to lose the biggest bright spot
in his life, decides to go after his love interest and win
her back from the clutches of a wholly detestable person.
The movie is
mostly a chronicle of Jimmy’s road adventures, from befriending
a quirky (but wise) cab driver named Slim (Danny Trejo)
to even crossing paths with a train full of circus freaks
and a bus load of grinning idiots lead by Fabio. Several
similar events play out during the 95-minute travesty, and
practically every one of them has at least one thing in
common: they aren’t funny or inspired, and they always manage
to insult at least one group of people (usually those either
of different ethnicity or different religion than the main
character, essentially). The treatment of the bubble boy
himself, meanwhile, plays out without a shred of care or
concern, and while it doesn’t directly insult his disorder,
it does manage to make him the unknowing butt of some of
the worst jokes seen in comedy since “Saving Silverman”
was playing in theaters. A lot of the gags feel like leftovers
from a really bad Farrelly brothers comedy, too, such as
the need to function on provoking humor at bodily functions
and allowing the characters to accidentally fall into some
very embarrassing (and crude) situations.
The script is
an enormous pile of missed opportunities, hampered by poor
character writing and an unnecessary need to follow plot
twists that do not relate much to the central story. But
given all of these faults, nothing quite prepares us for
the movie’s big final discovery, which is so insulting and
ultimately nauseating that it leaves us extremely disheartened.
I am reminded of a moment last week when I witnessed a teen
couple emerge from the movie theater as I was going in,
both with pained expressions on their faces. A nearby friend
asked, “are you two constipated or something?”, to which
one of them replied “No, we just came from seeing ‘Bubble
Boy.’” What an appropriate reaction.
With everything
that’s happened to poor Mrs. Demaret over the years, at
least she can walk away from this situation with one positive
thing on her mind: the movie that she thought would offend
the legacy of her son did nothing of the sort. Instead,
it insulted humanity in general.
© 2001, David Keyes, Cinemaphile.org.
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