Rating
-
Action
(US); 2000; Rated R; 105 Minutes
Cast
Ben Affleck: Rudy Duncan
Gary Sinise: Gabriel
Charlize Theron: Ashley
Dennis Farina: Jack Bangs
James Frain: Nick
Produced by Cary Granat, B. Casey Grant, Mark Indig,
Marty Katz, Chris Moore, Andrew Rona, James Sbardellati,
Bob Weinstein and Harvey Weinstein; Directed by John
Frankenheimer; Screenwritten by Ehren Kruger
Review Uploaded
3/10/00 |
Written
by DAVID KEYES The
average human being knows that pathological liars usually
deserve whatever they get, and in "Reindeer Games," actor
Ben Affleck creates a character that survives on feeding
lies to whoever will listen, and then (surprise surprise!)
learns the hard way of how they can turn around and bite
back. He stars as Rudy, a prison inmate convicted of grand
theft auto, spurred by the notion of being freed in two
days from the maximum security stronghold. He wants hot
chocolate. He wants pecan pie. Most importantly, he wants
to meet up with a beautiful woman named Ashley, who has
been writing love letters for the past few years while he
has been behind bars. Once he gets his wish, however, Ashley's
very own brother, a ruthless man named Gabriel (Gary Sinise),
blackmails Rudy into heading up a heist on a popular nearby
casino on Christmas Eve when security is diverged and the
customers sparse. But how do we feel sorry for the ex-con
after he is dragged into the criminal act? Heck, Rudy isn't
even the man Ashley has been writing the love letters to!
You
see, Rudy's cell mate Nick, who had been receiving those
love letters for awhile after being convicted of murder,
is killed off just days before he is let out of prison.
For fear that the attractive redhead (played by Charlize
Theron) would feel neglected by his apparent no-show, Rudy
assumes the role of his friend Nick, although the only knowledge
he knows for sure about his deceased friend is that he once
worked at an Indian casino.
They
smile at each other, shop for clothes, and even frolic in
the nude ("When I get back to the room," says Ashley, "you
better be wearing nothing but a candy cane"). Gabriel, though,
wants money, and bad; assuming that Rudy is Nick, as Theron's
character does, he and his friends confront the convict
with a proposition--either he helps in their quest to take
down the Indian casino, or dies. Since the mess cannot be
undone, Rudy continues to impersonate Nick, if only for
the benefit of staying alive. When Gabriel asks Rudy to
map out all of the security rooms and passages inside the
casino, though, all hell begins to break loose and the plan
goes haywire.
The
movie is one big disaster, a snowball of deceit, manipulation
and dreadful lies that pack together in some of the most
gawky ways I have ever seen. Since the characters are so
brain-dead and clumsy (Gabriel's gang has not even pulled
off a single robbery in their past), the script supplies
them with endless dialogue to waste their time while waiting
for Rudy to map out a plan in getting away with all the
casino's money. The plans are shaky but the characters seem
to think that their mission will be successful. But we doubt
there is much hope for any of those involved with this wretched
crime--the thieves would rather sit and talk about blowing
someone away instead of actually getting involved with the
heist.
The
movie opens in the prison, where Rudy and his then-daydreaming
cell mate Nick relish in the thought of being released from
prison. After a cafeteria riot involving cockroaches in
lime Jello breaks out, a knife is pulled and Nick takes
the wound. Rudy assures him that he will recover, but a
few short seconds later Nick is dead. Rudy begins reading
the letters and admiring the pictures of Ashley. When parole
day arrives, he is ready to board a bus and go home, but
stops halfway and walks up to Ashley, claiming to be Nick.
You know the rest.
Of
course Rudy tries to back out of the masquerade once Gabriel
has him in a compromising position. To keep alive, he agrees
to help the henchmen in their robbery attempt, even though
some of the henchmen's requests come with their own conflicts.
How does one, for instance, reveal all the hidden security
rooms and trap doors of a casino without ever working there?
Simple--claim that the casino has remodeled since the employment,
and request to be taken there to analyze the new layout.
But soon many of the lies arrive with consequences, and
by the end Rudy's effort to deceive for survival becomes
a farse, as new twists are introduced that immediately defeat
the purpose of certain other themes in the picture. Even
certain characters lose their titles--one minute someone
is the bad guy, another minute he is simply a bystander
who hasn't a clue as to what the hell has happened. The
movie not only lacks suspense, it lacks negotiability and
simple logic.
Still,
I find myself giving "Reindeer Games" a whopping one star,
probably because it arrives later than a much worse but
similar thriller named "Eye Of The Beholder." Does this
indicate any merit on its part? Maybe. I tolerated the implication
that people who seem sweet and good-natured are not always
what they seem on the surface, and found a twinge of hope
at the beginning of the movie when Affleck is first demanded
to organize a heist on a gambling establishment at gunpoint.
But what a mess in the long hall! In a movie that features
manipulators descending deeper into problems, the only real
surprise is how such a talented cast got attached to this
atrocity.
©
2000,
David Keyes, Cinemaphile.org.
Please e-mail the author here
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