Rating
-
Drama (US); 1999;
Rated PG; 108 Minutes
Cast
Jake Gyllenhaal: Homer Hickam
Chris Cooper: John Hickam
Laura Dern: Miss Riley
Chris Owen: Quentin
William Lee Scott: Roy Lee
Produced by
Peter Cramer, Larry J. Franco, Charles Gordon and Marc Sternberg;
directed by Joe Johnston; Screenwritten by
Lewis Colick; based on "Rocket Boys" by Homer H.
Hickam
Review Uploaded
6/02/99 |
Written
by DAVID KEYES "October
Sky" is a vibrant, wise, and poignant 'feel-good' movie
that has so many great characteristics, you wonder why the
movie deserves to be shot out into space. Based on the heartfelt
memoir "Rocket Boys" by one Homer Hickam, the movie takes
center stage at the height of the space program, when the
Russians launch the infamous rocket Sputnik into the atmosphere,
and people down in the streets of a remote West Virginia
town stare at it with wonder, curiosity, and other things
running through their minds. What will be the immediate
cause of this breakthrough in technology? How will mankind
benefit? Better yet, to the residents of Coalwood realize
that one of their very own is ready to jump into this "space
race?"
The
movie is an oddity. Like the seed of a plant born in the
drought of summer, it tries to grow on you, and fails. It
never takes shape and thus leaves all of these wonderful
aspects in fragments. This is a distraction, indeed, as
well as a travesty.
I'm
not complaining about the sentiment, either. Most of these
movies are either over-sentimental, contrived, or utterly
manipulative, but "October Sky" is a believable and convincing
portrait of inspiration and deep family values. If anything
else, all of these emotions are ambitious and toned with
insight into real life; you believe them because they are
real.
And
if the emotions are believable, so are the people who handle
them. These characters (mostly the teenagers) are 'dreamers'
of the space program, in which you see them look into the
sky and imagine themselves inside the vast emptiness, working
for the common goal of "one giant leap for mankind." Homer
Hickam's eyes veer into the large endless sky, and you know
he wants a piece of it. His goals throughout the movie point
upwards, as do the ones of his close friends. Rockets and
more rockets are built, some setting fires deep in a forest,
others not even going off period. The boys receive mixed
reaction from the town's response to their projects; some
disapprove, others encourage. What's most intriguing about
these concepts is demonstrated faithfully in a scene in
which Homer and his buddies defend their innocence from
setting a forest fire using Trigonometry. I'm not exactly
a genius when it comes to Mathematics, but this scene teaches
me more than just that of defense and honesty.
But
that's just where the problems start. The director executes
these events without proper pacing; at 108 minutes long,
"October Sky" cannot support the story very well, often
repeating in parts and recycling in others. This, naturally,
makes the experience somewhat tedious and disoriented, which
is a shame, since the movie is loaded with virtuous aspects
too numerous to site. I especially enjoyed the scenes with
Laura Dern, who is essentially one of the great American
actresses of our time. Like her father, Bruce Dern, she
makes you feel her emotions, whether they are contrived
or realistic.
Secondly,
I give credit to the screenplay by Lewis Colick, which never
turns Homer's father into a menacing, over-strict disciplinarian,
as we would normally expect. This allows us to see the situation
from both sides fairly. Homer wants to go out into the great
unknown, and John, his father, only wants his son to follow
in his footsteps, and become a coal miner. Unlike most of
these tear-jerker situations painting the parent out to
be the bad one, this father isn't the villain; he's only
a man who thinks the best for his son would be continuing
his own tradition. The relationship is fathomable.
Sitting
through "October Sky," I felt like the filmmakers were trying
hard to create a movie that everyone could love. It has
all of those aspects that make a great movie, too: comedy,
drama, fright, tension, inspiration, and charm, just to
name a few. In their own respect, they are successful in
conveying reasonable sentiment, unlike the kind found in
"Patch Adams" or "The Other Sister." Yet the movie suffers
from its plot, not just in terms of the obvious and predictable,
but also the execution. I did not like it. For that reason
alone, I cannot recommend "October Sky." It will have its
admirers, and rightfully so. For anyone who has ever dreamt
of life beyond the atmosphere, and exploration into a vast
outer space, it will be perfect. For those who are, like
me, tired of these long, 'think-for-yourself' films with
mixed emotional levels, the movie might just as well work
better if it were blasted into the side of a wall.
©
1999, David Keyes, Cinemaphile.org.
Please e-mail the author here
if the above review contains any spelling or grammar mistakes. |