Rating
-
Cast
Meryl Streep: Roberta Guaspari
Aidan Quinn: Brian Sinclair
Angela Bassett: Janet Williams
Cloris Leachman: Assunta Guaspari
Gloria Estefan: Isabel Vasquez
Josh Pais: Dennis
Jay O. Sanders: Dan
Produced by Stuart
M. Besser, Sandy Gallin, Susan Kaplan, Marianne Maddalena,
Alan Miller, Walter Scheuer, Bob Weinstein and Harvey Weinstein;
Directed by Wes Craven; Screenwritten by Pamela
Gray
Review Uploaded
12/24/99 |
Written
by DAVID KEYES If
"Music Of The Heart" is any indication that the future of
melodramatic tearjerkers looks to be bright, then its about
time. The recent years have proven quite fatal for the genre,
as Robin Williams has squirmed his way into theaters with
clown noses and poetry books, and director Chris Columbus
has played his audience with pretentious, manipulative sappiness.
Where their, and therefore the genre's, problems lie, "Music
Of The Heart" corrects them--here is a little movie with
touchy-feely affection, but never once is it overdramatized
by the basic plot structure. Instead, the movie gets its
real influence from the talents of three brilliant actresses,
who treat the material with compassion and realistic sentiment.
Two
of them you are familiar with (Meryl Streep and Angela Bassett),
one of them has never been in a movie before. Her name is
Gloria Estefan, and has apparently spent her two-decade
music career looking for the right role to break onto the
movie scene with. Lucky for her.
Then
again, how lucky we all are, really, to witness this wonderful
cast and crew work their magic on a script that could have
seemed like garbage if it fell into the wrong hands. Behind
the camera is director Wes Craven, who makes his non-horror
debut here, and in front of the lens is Meryl Streep, playing
the role of Harlem teacher Roberta Guaspari (who was originally
intended for Madonna, ironically). Divorced and looking
for work, Roberta takes up the job as a substitute music
teacher at the local elementary school in Harlem, where
students don't even understand what music class if for in
the first place. But she is determined to get the budget-less
program off the ground; the first task is unloading a set
of 50 violins she has collected onto the students of her
class. Such events are followed by other important ones;
she meets with the school board to discuss funding, puts
on concerts for her students, among other things. Pretty
soon, the job as a substitute teacher has become that of
a full-time one. The process is a routine one, as to be
expected, but Streep's brilliant presence as a teacher reaching
for the highest goals is one not to go unnoticed; it may
very well be the finest performance she's had in the past
five years.
Much
like the film's close relative, "Mr. Holland's Opus" starring
Richard Dreyfuss, "Music Of The Heart" cannot be told all
at once. Rather, the material stretches its plot into several
years, following the progression of the music department,
as seen through they eyes of the one who revived it. Of
course, she's had all the necessary help; Angela Bassett
as the elementary school principal wants to help as much
as possible, and Gloria Estefan, as Isabel Vasquez, is a
calm but determined screen influence. Together, the three
bring forth a significant change in the way people learn
about music, the way they play it, and therefore they way
they comprehend it.
Wes
Craven is one of my favorite movie directors, and not just
because scaring the pants off of moviegoers comes natural
to him. His masterpieces like "Last House On The Left" and
"A Nightmare On Elm Street" echo darker messages than what
the visual imagery actually presents, and sometimes we find
ourselves staring on in awe at his artistic significance.
"Music Of The Heart" is not as artistic, or effective, as
most of his horror movies. But since it's his first effort
to break from the formula, the effort deserves to go noticed;
packed with lush performances, solid direction and (here's
what most important) realistic sentiment, here is one of
the mose effective tearjerkers to come along in quite awhile.
That is, assuming they were ever effective to begin with.
©
1999, David Keyes, Cinemaphile.org.
Please e-mail the author here
if the above review contains any spelling or grammar mistakes. |