Rating
-
Thriller (US);
1999; Rated R; 105 Minutes
Cast
Thomas Jane: Carter Blake
Saffron Burrows: Dr. Susan McAlester
Samuel L. Jackson: Russell Franklin
Jacqueline McKenzie: Janice Higgins
Michael Rapaport: Tom Scoggins
LL Cool J: Sherman Dudley
Produced by Bruce Berman, Akiva Goldsman, Duncan
Henderson, Robert Kosberg, Tony Ludwig, Patrick Lynn, Don
MacBain, Alan Riche, Jonathan B. Schwartz and Rebecca Spikings;
Directed by Renny Harlin; Screenwritten by
Duncan Kennedy, Wayne Powers and Donna Powers
Review Uploaded
8/06/99 |
Written
by DAVID KEYES When
the shark jumped aboard a fishing boat in Steven Spielberg's
"Jaws," cinema history was made. It was the first time that
a mechanical creature was able to perform such an action
on screen, and come off realistic at the same time. Filmmakers
had always relied on obvious camera tricks to make their
'animatronic' visual effects look as lifelike as possible
(dating all the way back to the 1930s masterpiece "King
Kong"), but here, in the 1970s, was something totally groundbreaking.
It looked convincing. It made viewers jump in surprise.
Never before had their been such a breakthrough in the possibilities
of mechanically operated living creatures.
As
much as digital effects have replaced most of modern cinema's
animal illusions, "Jaws" is still greatly appreciated for
what it accomplished, without the use of computer generated
effects. This phenomenon, this breakthrough, went on to
inspire several other mechanical creatures, including the
gooey species in the "Alien" pictures, the tall prehistoric
wonders in "Jurassic Park," and the long creepy snake in
"Anaconda." Yet all of these inspirations come right back
to the one and only shark, who was later revived in three
"Jaws" sequels and countless imitations. Now comes Renny
Harlin's "Deep Blue Sea," a film which borrows elements
from nearly every creature feature in existence. There's
the claustrophobic atmosphere, as in "Alien," the sudden
shocks, as in the original "Jaws," death by electrocution,
as in "Jaws 2," a chaos theory, as in "Jurassic Park," a
disaster underwater, as in "Jaws 3," and even the impulses
of justice, as in "Jaws: The Revenge." But all of these
borrowed elements are not without some new approaches. The
sequels to Spielberg's shark epic failed, alas, because
they were stuck on the same basic clichés and ideas. But
here, new feats are accomplished; Harlin and his writers
have woven the clichés together in a non-typical way, making
for one of the most unpredictable, surprising, and intensely
fun films of the summer.
"Imagine,"
as we are told by Dr. Susan McAlester (Saffron Burrows),
"if you can wipe out Alzheimer's with one pill." Is it possible
that the cure for this deadly disease is found within the
brain tissue of your typical meat-eating shark? Maybe. At
least, that's what the characters believe, as we are taken
to a remote compound in the middle of the ocean, where gates
are risen, underwater laboratories exist, and genetically
enhanced sharks swim around and hunt in packs--two 1st generations,
one 2nd generation, female. These monsters of the deep are
fed other sharks, creep around with decisive movements,
and watch those above water like they knew what was going
on. When one of the sharks is brought up into the laboratory
so that its brain fluid can be drained, there is a horrible
accident, and a researcher has to be airlifted off of the
compound. Sadly, the helicopter loses power, and they drop
the man into the shark-infested waters, where one of them
grabs the stretcher he is on, drags it along the ocean floor,
and tosses it towards the window of the research lab, cracking
it. You know what happens next.
Over
the course of the next few minutes is a series of gruesome
and unpredictable shark attacks, in which the humans are
reduced in numbers by the minute, and levels of the observatory
are gradually flooded. The sharks bust through steel doors,
pop into appearance at the most inopportune times, and one
of them even turns up the temperature on an oven when LL
Cool J tries to hide in it.
One
cannot doubt that some of these circumstances make no sense
to begin with. Even if a shark's brain tissue is enhanced,
shall we say, five times the average, the fish would have
to learn of these things before being able to accomplish
them. There is a moment in the movie when one of the film's
most important players (I shall not reveal his/her identity)
stands over the others and convinces them that they need
to work as a team in order to survive. In the middle of
the speech, a shark pops right out of the water and grabs
the person. As I watched this, the back of my mind kept
saying, "Geez, these sharks really know how to interrupt
terrific monologues."
The
atmosphere remains eerie, however, because we never know
when to expect the swimming man-eaters to pop up. There
are only three of these sharks, but like most of the special
effects creatures in movies, they make their way all over
the place in little time, sometimes showing up at one end
of the compound, another time showing up at the opposite
end when the water level between seems almost impossible
to swim in.
All
of these descriptions make the movie sound obvious and unexciting,
but "Deep Blue Sea" is none of that. Unlike Jan de Bont's
"The Haunting" and Steve Miner's "Lake Placid," which were
fairly good films regardless of shortcomings, "Deep Blue
Sea" has skill, wit, and (!) logic, never lowering the intelligence
of human beings for the purpose of them getting eaten by
the animals (although that last action happens quite a bit
anyway). The script by Duncan Kennedy, Wayne Powers and
Donna Powers makes use of the premise for the right amount
of time, and the movie ends just at the right note, at 105
minutes. I gave "Lake Placid" and "The Haunting" each three
stars for being dimwitted fun, but I'm giving "Deep Blue
Sea" three-and-a-half because the excitement rises from
the tension, not from the story being mindless. For the
first time, since the original "Jaws," the filmmakers appear
to be smarter than the creatures that spring from the water.
Considering the sharks in the movie are five times smarter
than average, that's no small accomplishment.
©
1999, David Keyes, Cinemaphile.org.
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